He's more than happy to, but he does make sure that there are mirrors sprinkled every so often in their path. If she plans to come after him, he'll be prepared. If not, it's better to be paranoid than to be thrown out of the dream. He opens the door to what appears to be a quaint European street, though none that could actually be named.

Cobb's little lessons about not using memory and reality have sunk in and his own tendency to look out for his sanity have adopted it. "Some architects put detail into everything," he explains. "I've a more focused approach when I build. Put your details where you want the target looking. Guide their attention. And if you can't use the dream, use yourself," he says, changing his tie to a colour brighter than the rest of the dream, that stands out.